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Under the surface – Oil painting on canvas, 23x43cm (50 limited edition prints)

While out hiking, I spent over 30 minutes lying on the ground studying the underside of a mushroom. Other people walked past it, but I couldn’t stop looking. Having Aspergers syndrome, I can become completely absorbed in the details of things that fascinate me. I often describe it as seeing the world through a magnifying glass. After studying this mushroom, the urge to paint it was overwhelming, like an itch I couldn’t get rid of.

I first began mapping out the structure of the mushroom with a thin layer of paint. This was to put down a base and give me an idea of the form of the painting. Once that was dry, I went over the whole thing, this time with a thicker layer of paint, focusing on colour and texture. This is where I get the most joy when painting, being absorbed into the tiny details that draw me into the image to begin with.

Starting out, I thought this painting would be quite straightforward, mostly lines, but I quickly discovered that the shade, colour and angle those lines went really mattered. After over 100 hours of painting and half a tube of flake white oil paint, the mushroom emerged, and I was really overjoyed with the immersive effect the painting gives.

A highly detailed hyperrealist oil painting of the underside of a mushroom, focusing on the intricate, closely packed gills beneath its cap.
Under the surface
Oil painting
close up of A highly detailed hyperrealist oil painting of the underside of a mushroom, focusing on the intricate, closely packed gills beneath its cap.
Oil painting on canvas

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Nature vs Urban

I use two very different mediums to make sense of the world around me.

My pen drawings are about how I see and process the urban world. I find that striping away the colour help me to focus on the perspective and detail of what i see.

But with oil painting, it’s completely different. I become completely absorbed in the tiny details of the natural world — the colours, textures and intricate patterns that might otherwise get missed, I used oil paints and cropped or macro perspective to communicate the immersive experience I feel when in nature.

For me, both are ways of making sense of the world, and of capturing those little moments of fascination and wonder that I find in everyday life.

Painting of a rainbow-colored beetle resting on a lavender plant with purple flowers.
Rainbow beetle on lavender flower: Oil painting on canvas board, 2025
"Highly detailed grafiic black and white drawing depicting a puddle reflecting a building"
Urban Refection: Original pen drawing, 2023

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York Minster 2026: 28x38cm original pen drawing (and limited edition prints)

I started drawing York Minster in 2023, and it has been a real labour of love. When I showed it at York Open Studios, only half finished, the wonderful encouragement I received gave me the confidence to keep going. By stripping away the colour and focusing on the forms, patterns and light, I wanted to capture the intricacy of the architecture and all the details that make this building so incredible.

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New Drawing!

A Moment in Time

During an exhibition, several people looked at this drawing and asked, “What is it?” Some even tried turning it upside down.

It’s actually a pen drawing of a puddle reflecting The Shambles in York.

I have always been fascinated by reflections. I love how puddles, in particular, create temporary reflections that are there for only a moment before disappearing, often going unnoticed.

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Living the artist life

Living the artist life 

Sometimes life as an artist is quiet and other times it is go go go! 

When life gets busy it is important to carve out time for reflection and rest, this is something I am still learning to do. 

I had a lot of exciting things recently including taking part in EADS exhibitions, varnishing work, multiple drawing commissions and moving studio spaces to somewhere bigger. But I felt burnt out and realised I had a month of not doing any painting. Sometimes life is like that. When I relaised I reached burn out I got outside in nature with my camera and little sketch book out and started exploring what was inspiring and interested me. As I started reconnecting with my environment through art I felt a renewing of my strength, motivation and creativity. 

What inspires you? What renews your strength and gives you sense of peace and stillness in the busyness of life.

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Inspiring mushrooms!

Getting inspired for a new painting! 

This week I seem to be fascinated with mushrooms. You wouldn’t catch me eating a mushroom (even the edible ones) but have you ever got down and looked at how intricate and beautifully they are? I spent 30mins studying today and didn’t even notice the time passing.

I learnt over the past few years that art isn’t about creating pretty pictures you think others will like. Instead, its about doing what inspires you, what are you passionate about, because, that passion comes across in your work. Although we are all individual, we are also all alike and often what inspires you will connect and inspire someone else. So here are some photos of mushrooms!

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EDAS 2025 Exhibition

Excited to be taking part in the EDAS exhibition again this year, i plan to exhibit some of my plein air painting, as well as having a studio clear out, selling some past work in the brows boxes

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Surprise view

Recently, I had the privilege of returning to the Lake District for some plein air painting; once again, the beauty captivated me, drawing me into every detail. This time, I visited Keswick, where I painted two images, one of which was from Surprise View, which offered a spectacular view overlooking Derwent Water towards Keswick, with Skiddaw Mountain (the third highest in England) to the right. The morning was sunny, and the lake was still. Using oil paints on a 30×40 cm canvas, the painting took three days to complete outdoors, with an additional day for touch-ups back in the studio.

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Painting in the lake district

I love plein air painting; I feel able to be fully absorbed into nature and the creative process that’s hard to replicate elsewhere. I don’t often get to finish a painting, but getting the ‘true’ colors I see onto canvas gives me a good base for finishing the painting off another day in my studio.

This time I was in wasdale head in the lakes, looking over west water, towards great gable and scafell pike. I had been hear for 3 day but it rained so much i wasn’t able to paint, today i managed to get a morning of sun to capture the sky, great gable and scafell Pike.